Marine : My name’s Marine, I’m 32 years old. I’m originally from Normandy. After college, I went to London. I met a designer who inspired me to pursue a career in fashion. So, when I got back to Paris, I enrolled at Mod’art. I studied there for three years and graduated with a design teaching degree. After that, I left for Madrid teaching at Mod’art for the next three years. When I came back to Paris, I worked as a freelance designer for different brands before founding Les Garçonnes.
M : I inherited a collection of pleated pants that belonged to my grandmother in the 50s. I used to wear them all the time and everyone complimented me on them. They were made to measure by a small couturier in Paris. They were always a bit large so I used to wear them with a belt. That was really the point where I decided to launch my own brand.
M
: From a young age, I’ve always worn trousers. I almost never wear skirts or dresses. I was always a bit of a tomboy and gravitated towards these types of pieces. I would go and ransack
my father’s wardrobe. Trousers have always been the key piece in the way I dress. Because of
that, I understand how problematic it can be to find a good pair of well-fitting pants;
especially those that are made to last.
M : I think we have a lot more freedom to wear what we want to wear today, in France at least. I hope that everyone feels free enough to be who they want to be. I feel like fashion provides something for everyone.
M : The Les Garçonnes woman is independent, free, she likes to feel comfortable and feminine. She is strong and intelligent. She also owns her masculine side. I think that all women have a masculine side, just as men have a feminine side. I like it when people take ownership of that and celebrate it.
M : My grandmother is my number one source of inspiration. Wearing her trousers was a way of feeling that sense of freedom, experiencing her emancipation. She was an inspiring and avant-garde woman. She divorced in the 40s, when it was still frowned upon. Otherwise, menswear inspires me a lot, specifically pieces from the 30s up until the 50s. I also have my eyes open to street style, the details I see on trousers.
M : The majority of my work is on fabric. I start by choosing my favourite fabric. Once that is chosen I create a pattern and start working on a form. It’s a specialist form made for menswear so each design is crafted like a pair of men’s pants and then tailored to suit a woman. I rarely work from a flat surface, meaning we start with a loose design and I model it on myself. Then we add pleats, waist height, shape… I’m not great at sketches. I prefer to work based on a fabric’s weight and movement, I’m very focused on the pleats, the tailoring and the length. I have an idea in my head and it transforms during the design and form fitting process. After that, my designer creates a prototype before we oversee the production in a Parisian factory.
M : For me, I appreciate the human element. I didn’t choose fashion because of fashion. I have never been passionate about fashion. It was the people I met that inspired me to do what I do. I like to have a close relationship with my manufacturers. I like the fact that I can say hello in the morning and see how they’re doing. It’s important to know who you’re working with so you can talk to them. I never started out with the idea to create a brand with a short production cycle. It’s simply the way it happened and now it seems so obvious why. I would never want to work with manufacturers outside of France, even Paris.
M : It defines the conditions in terms of quantity. I can find a fabric I’m really in love with and not have enough. When that happens, I’ll create a capsule collection or make a similar fabric. I work regularly in broadcloth as it’s quite easy to find. I’ve been making three types of pants for the last three years and each season I release one or two new designs.
M : In my opinion, the jumpsuit is another version of a pair of trousers. When you perfect a pair of trousers it’s easy to create a jumpsuit. It’s important that the piece is well crafted and responds to the female figure. The jumpsuit, I believe suits most women. I’m also releasing a jacket, as I’ve had a number of requests from my customers asking to complete the outfit. It creates a casual look and feel. I might be making shorts, too. But I don’t want to expand the collection much more than that. Concerning the other pieces, I think other designers do that very well. When it comes to shirts, I would like to do that one day, a men’s shirt, of course, I only wear men’s shirts.
M : All my trousers are unisex. I hope to have the means eventually to create trousers for men and women. I would have to redo all the patterns so I can adapt them.
M : I launched a crowdfunding campaign on KissKissBankBank and L’Exception was a mentor. I chose KissKissBankBank because of its affiliation with L’Exception and due to the interesting financing and pre-ordering projects available. That’s how I ended up working with L’Exception.
M : To develop a menswear line and become the first name in quality trousers for both sexes. I would also like to launch a made to measure service. The idea is to develop a range of forms and fabrics and adapt the design to each client.
M : A Saint Laurent jacket my mother wore at Christmas when I was little.
M : Dance Monkey by Tones & I.
M : Anything from Wes Anderson.
M : Trousers.
M : AGOGOGANG, in the 4th arrondissement.
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